Literaturgrundlagen |
Englisch
Textanalyse |
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Erzählsituation & Erzählperspektive |
Erzählperspektive (point of view / narrative perspective) Art und Weise der Präsentation von : Personen/Ereignissen/Schauplätzen/zentralen Handlungselementen Die vielfältigen Erzählhaltungen können vereinfacht durch 3 Positionen veranschaulicht werden: |
I) |
Auktoriale Erzählsituation (omniscient point of view) |
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Heterodiegetisch (heterodigetic)= erzählendes
Ich (narrating I ) Die auktoriale Erzählsituation wurde vor allem im traditionellen
Epos sowie im frühen |
II) |
Ich Erzählsituation (first person narrator) |
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z.B. | Laurence Sterne: "Tristram Shandy" Charles Dickens: "David Copperfield" |
Ziel der „Ich Erzählung“ durch Protagonisten(main
character): möglichst genaue, subjektive Wiedergabe der Erlebnisse und Gefühle des Erzählers. |
Ziel der „Ich Erzählung“ durch Nebenfigur (minor character): |
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z.B. | Melville: Moby Dick F.Scott Fitzgerald: The Great Catsby |
Durch gezielten strukturellen Einsatz der Erzählperspektive
werden inhaltliche Aspekte vorweggenommen. Homodiegetisch (homodiegetic)= erlebendes Ich (experiencing I ) : begrenzte Wahrnehmung, weil der Erzähler von einer Welt berichtet, an der er selbst als Figur beteiligt ist. |
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Viele Romane aus dem 18. und 19. Jhdt zeichnen sich durch eine starke Erzählpräsens und ein ausgeprägtes Selbstbewusstsein dieser Erzähler aus. Zur Moderne hin ist eine Tendenz zu einer zurückhaltenden Erzählinstanz zu beobachten. |
III ) |
Personale Erzählsituation (figural narrative situation) |
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Stream of consciousness technique: In der Moderne kam das Bestreben auf, sich von alten Konventionen zu lösen und neue, unkonventionelle Formen zu suchen. Eine solche unkonventionele Form ist die stream-of-consciousness-Technik, welche versucht, die Gedanken einer Person möglichst naturgetreu wiederzugeben, d.h. ohne Rücksicht auf Logik, Syntax oder grammatikalische Richtigkeit, dafür aber mit allen Assoziationen und Gedankensprüngen. The stream of consciousness- technique reveals the inner thoughts of a person true to life regardless of syntax and chronological order ( Bsp. sind "Who´s afraid of Virginia Woolf", "A Portrait of the artist as a young man" und "Death of a Salesman") Innerer Monolog (interior monologue) Erlebte Rede (free indirect discourse) |
Erzähler tritt in den Hintergrund. Das Geschehen wird durch die psychischen Reaktionen einer handelnden Person vermittelt. |
The ´English novel´(Roman) |
(Vorsicht:
Der englische Begriff "novel" ist nicht gleich "Novelle" im Deutschen
!!!) ->English Version |
Vor der englischen "novel" existierten zwei Arten
der Prosa: |
epic: | Ein Held der die Ideale seiner Generation und seiner Lebenswelt
verkörpert, löst Probleme und Aufgaben von nationalem und weltlichem
Interesse. |
romance: | Die Handlung ist so kurz wie möglich, linear und zielgerichtet. Die Characterzüge des Protagonisten(Hauptperson) werden detaillierter dargestellt. |
Definition einer "novel": Eine "novel" ist eine meist komplexe, erfundene Geschichte (Roman) von beachtlicher Länge, in der Charactere (für gewöhnlich Menschen, aber nicht immer) an einem bestimmten Ort (setting) miteinander agieren. "Novels" sind in Stil, Form und Inhalt oft sehr unterschiedlich. Verbreitung fand sie im 18. Jahrhundert in Großbritannien. |
1) Schelmenroman(picaresque
novel): "The life of Jack Wilton", "Tom Jones",
"Moll Flanders", "The unfortunate traveller " |
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2) Schäferoman : "Arcadia" |
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4) Historischer Roman (historical novel):"Waverly" by Sir Walter Scott |
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5) Briefroman (epistolary novel): "Pamela" |
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6) Satirischer Roman (satirical novel):"Gulliver´s Travels" by Jonathan Swift, "The Adventures of Huckleberry Finn" |
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7) Utopischer Roman (utopian novel): "1984" by George Orwell, ""Brave New World" by Aldous Huxley, "Fahrenheit 451" |
8) Schauerroman (gothic novel): "Dracula" by Bram Stokers |
9) Kriminalroman ( detective novel):"Murder on the Orient Express" by Agatha Christie |
English NOVEL (Englischer Roman) |
(Be careful:
The English term"novel" is not identical with "Novelle" in
German !!!) ->Deutsche Version |
Before the novel two types of fiction were typical: |
epic: | One hero who represents the ideals of that generation and
its world view solves tasks of national and cosmic importance.. |
romance: | The action is as short as possible , linear and aim directed. The traits of the protagonist are shown at greater detail. |
Definition einer "novel": A novel is a complex fictional narrative text of considerable length written in prose in which characters (usually but not always human beings) interact with one another in a specific setting. It is created by imagination. Novels are extremely varied in style, form and content. The novel became fully established in the 18th century in Britain. |
1) picaresque novel(Schelmenroman
): "The
life of Jack Wilton", "Tom Jones",
"Moll Flanders", "The unfortunate traveller" |
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2) Schäferoman (no English term): "Arcadia" |
3) Bildungsroman (Bildungsroman -no English term):"Mill on the floss", "David Copperfield" |
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4) Künstlerroman (Englisch u. Deutsch):" A Portrait of the Artist as a Young Man" |
5) historical novel (Historischer Roman ):"Waverly" by Sir Walter Scott |
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6) epistolary novel (Briefroman): "Pamela" |
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7) satrirical novel (Satirischer Roman):"Gulliver´s Travels" by Jonathan Swift, "The Adventures of Huckleberry Finn" |
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8) utopian novel (Utopischer Roman): "1984" by George Orwell, ""Brave New World" by Aldous Huxley, "Fahrenheit 451" |
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9) gothic novel (Schauerroman): "Dracula" by Bram Stokers |
10) detective novel ( Kriminalroman):"Murder on the Orient Express" by Agatha Christie |
Short
story |
First definition There is no generally accepted definition of the short story that clearly seperates it from other narrative text forms like the novel. Edgar Allan Poe who is often said to have invented the genre, said that s short story could "be read in one sitting"- but so can some short novels. A short story is a short fictional text. It deals with/concentrates on one character, situation, dilemma or problem. Unlike in a novel, in a short story the characters, the situation, etc. are not fully developed; the focus is on one single aspect which undergoes a change in the course of the story. The story´s exposition, falling action and denouement may be short or even nonexistent. The elements of a short story are |
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The plot | |
The author of a fictional text usually arranges the events according to cause and effect. The resulting structure is called the plot. A good plot will have some elements of suspense and hold the reader´s attention. Most plots centre on a conflict. Normally the plot develops in a number of stages: |
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(introduction of the main characters, the setting etc) in which the characters, theme, etc. are introduced) |
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(developing conflict) in which a conflict beween two forces is developed |
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(moment when the conflict is most intense/when the conflict reaches its highest point) |
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(point at which an important change takes place/ in which there is a change in the conflict or suspense) |
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(reduction in suspense/ in which there is a reduction of suspense) |
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(also known as the solution, when the conflict is
resolved. Instead of a denouement there may be an open ending, in which
the conflict is not resolved and the reader is left wondering what might
happen next, or a surprise ending, where the reader´s expectations that
been built up in the course of the story are not fulfilled but instead a
surprising solution of the conflict is
presented.) |
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Second definition "It centres around one incident in the lives of a limited number of characters, which is often revealed as an unusual incident." (In: The Learner´s vocabulary for Text Analysis: Dortmund 1973, P. 55) |
Some of the elements that make up a good
(short) story: |
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The short story is a piece of art that tries to give us a special
impression of the world we live in. It aims to produce a single narrative
effect with the greatest economy of means and the utmost emphasis. |
News
story |
-> | A news story offers information about an event that is of current or general interest to the public. |
-> | It is based on facts, but enriched by background information and story-like elements. |
-> | Different perspectives may be offered so that the readers can form their own opinion. |
-> | News stories often start by directly confronting the reader with the topic or situation. |
-> | In addition to that they often end with a thought -provoking statement or idea . |
Editorial |
-> | An editorial is a type of comment | |
-> | A comment is a text in which the writer expresses his or her personal opinion. | |
-> | The writer gives reasons for holding that opinion and tries to convince the reader or listener . | |
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It is usually written by the chief editor of a newspaper or magazine | |
-> | Furthermore it expresses the paper´s opinion and position regarding a topic of current importance or general concern. | |
-> |
In British journalism an editorial is also known as a leading article
or leader. |
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A Report |
->A
report provides answers to the "five w´s, i.e. to the
questions "Who?", "What?", "When?","Where?"
and "Why?" |
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Who? What? When? Where? Why? |
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the happily married father of three children - an accident happened - yesterday eventing at 10 pm - on the main road to Oxford - a dog was on the road and the driver wanted to move aside |
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->It
consists of facts that can be checked on and does not contain the
opinions of the writer. ->The most important information answering these questions is usually given in the introductory sentences. |
Feature Story |
-> | A feature story is a type of report. |
-> | A feature story deals with a problem or topic by concentrating on a particular person or on particular people. |
-> | A feature story takes and individual case as its starting point to discuss the different aspects of the topic on a personal level |
-> | Moreover it leaves the reader to draw more general conclusions from this individual case. |
-> | The writer of a feature story makes use of direct quotes from the people involved in the story . |
-> | Furthermore it relies on first- hand-reporting, i.e. writing mostly about things and people he or she has actually encountered. |
A fairy tale |
-> | A fairy tale is a narrative prose text about the adventures, fortunes and misfortunes of a hero or heroine. |
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The characters that are often young and archetypal are usually good-looking, strong and rich men or beautiful and warm-heated woman |
-> | Fairy tales usually begin with the words"Once upon a time" and end with "and they all lived happily ever after". |
-> | Besides the human characters, there are usually mythical beings such as fairies, gnomes, etc. |
-> | The tales are to a certain degree moral, since good usually triumphs over evil. |
Examples are: "Little Red Riding Hood (Rotkäppchen)", "Sleeping Beauty" |
A fable |
-> | A fable is a fictional narrative text that is usually short in length. |
-> | Typical for a fable is that animals represent human types or act like human beings; |
-> | Thus a fable is a form of allegory. |
-> | Fables are normally didactic for they intend to teach a moral lesson, illustrate some general truth or make a satirical comment. |
-> | In the more traditional version there is an epilogue or in other words a moral tag at the end. |
-> | The moral of other fables may be understood from the text. |
Examples are:" George Orwell´s "Animal Farm"(1945) and James Thurber´s " The Shrike and the Chipmunks"(1945) |
English Poetry. Verse rhythm & stylistic devices Englische Gedichte. Versmaß und Stilmittel |
Verse rhythm
(Versmaß)
foot: smallest metrical unit trochee: two-syllable foot with falling stress (" ![]() iamb: two-syllable foot with rising stress, the first unstressed and the second stressed
anapaest: three-syllable foot with rising stress monometer: line containing one foot diameter, trimeter, tetrameter, pentameter, hexameter, heptameter, octameter: lines containing tow, three... feet. caesura: phonetic pause within a line (Verseinschnitt, Zäsur) blank verse: unrhymed iambic pentameter, consisting of five iambic feet ![]() alexandrine: iambic hexameter with a caesura after the third foot free verse: verse irregulary rhythmical (like prose) run-on lines (enjambement !!!): lines that are not end-stopped Stanza (Strophe) -
couplet or distich: stanza of thwo lines |
How to describe pictures ... |
Composition Details
Missing details Other features
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How to analyse the setting of a text |
Hat man den Auftrag das "Setting" eines Textes zu
analysieren, so geht es darum, zu beschreiben, wo und auch warum eine Handlung
an einem bestimmten Ort stattfindet. Cheers The sewing woman lived across the tracks, down past Arey´s Feed Store.
Row of skinny houses on a mud alley. Her rooms smelled of salted grease and
old newspaper. Behind the ironing board she was thin, scooping up papers that
shuffled open in her hands. Her eyebrows were arched sharp and painted on. [1979]
Schulportal www.schule-studium.de |
Vocabulary for text analysis and text production |
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Words to express feeling: |
to be concerned | besorgt | to be fearful | furchtsam | |
to be confident | zuversichtlich | to be frightened | erschrocken | |
to be content | zufrieden | to be nervous | nervös | |
to be hopeful | hoffnungsvoll | to be pessimistic | pessimistisch | |
to be optimistic | optimistisch | to be upset | aufgeregt | |
to be pleased | erfreut | to be sad | traurig | |
to be satisfied | zufrieden | to be shocked | schockiert | |
to be worried | beunruhigt | to be bothered | verärgert | |
to be bothered | verärgert | to be excited | aufgeregt | |
Vocabulary to describe
character traits, part I Worte um den Charakter einer Person zu beschreiben |
positive: | negative: |
patient | geduldig | intemperate | unbeherrscht | |
polite | höflich | intolerant | intolerant | |
reasonable | vernünftig | irritable | reizbar | |
self-controlled | beherrscht | obstinate | eigensinnig | |
self-assured | selbstbewusstt | ruthless | rücksichtslos | |
sensible | vernünftig | self-centered | ichbezogen | |
sensitive | empfindsam | stubborn | sturr, halsstarrig | |
tolerant | tolerant |
weitere-> ![]() |
Vocabulary to describe
character traits, part II Worte um den Charakter einer Person zu beschreiben |
positive: | negative: | |||
balanced | ausgeglichen | aggressive | aggressiv | |
calm | ruhig | brutal | brutal | |
courageous | mutig | cruel | grausam | |
friendly | freundlich | desparate | verzweifelt | |
good-natured | gutmütig | impatient | ungeduldig | |
moderate | gemäßigt | impolite | unhöflich | |
modest | bescheiden | impulsive | impulsiv | |
Vocabulary to describe
the setting of a novel or story Worte um den Handlungsraum eines Romans oder einer Kurzgeschichte zu beschreiben |
positive atmosphere: | |
calm | ruhig |
carefree | sorgenfrei |
peaceful | friedlich |
safe | sicher |
serene | heiter |
negative atmosphere: | |
aggressive | aggressiv |
cold | kalt |
dark | dunkel, düster |
gloomy | schwermütig |
tense | gespannt |
threatening | bedrohend |
sad | traurig |
Leo.org | |
Wörterbuch.INFO | |
Systran |
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